After Modernism: Selections from the Neumann Family Collection at the Arthur Ross Gallery

The University of Pennsylvania’s Arthur Ross Gallery announces its new exhibition, After Modernism: Selections From the Neumann Family Collection, a curated exhibition that examines a prominent and superlative private collection featuring artworks spanning the arc of the twentieth century to present day. Curated by Gwendolyn DuBois Shaw, faculty director of the gallery and an eminent art historian, the exhibition questions the role of modern and contemporary art in our current moment and assesses the trajectory of contemporary art, charting its movements across the 20th century and documenting the prevailing ideas and concepts shaping the art of today. Drawn from the Neumann Family Collection of more than 3,000 artworks collected from 1948 onward, the exhibition features 50 works traversing the Modernist canon, including Picasso, Miro and Matisse, to late twentieth century contemporary art, including Jeff Koons and Keith Haring, to the ultra-contemporary works by Allison Zuckerman, Danny Ferrell, and Nina Chanel Abney. After Modernism is on view now through March 2, 2025.
“After Modernism is a celebration of renewal,” said Dr. Shaw. “It reflects the transformation of the gallery, the vibrancy of the Neumann Family Collection, and the ongoing importance of Penn as a center for artistic discovery and scholarship. I am thrilled to debut this exhibition in a space that feels both timeless and forward-looking.”
After Modernism: Selections from the Neumann Family Collection poses questions about the role of modern and contemporary art in the current moment. The curatorial premise particularly examines the concept of modernism in the light of the movements that have followed. After Modernism uses an immersive, salon-style installation scheme of works made as early as 1919 and as late as 2022 to explore ideas of finitude, openness, and the relationship of the viewer to the metaphysical. And perhaps most importantly, what if the trajectory of contemporary art was driven more by the intellectual and personal relationships developed between artists and collectors, than being influenced by the opinions of critics, curators, and the speculative art market?
After Modernism marks a series of firsts: it is the inaugural exhibition in the newly renovated Arthur Ross Gallery, which has been revitalized to reflect its historical and architectural significance as a cultural centerpiece on Penn’s campus. Additionally, this exhibition celebrates Dr. Shaw’s curatorial debut since becoming the gallery’s faculty director, bringing her renowned scholarship and museological expertise to the forefront of this reimagined space.
The Neumann Family Collection is synonymous with a profound commitment to contemporary art, making its connection to Penn particularly meaningful. A New York-based family, the Neumanns have deep ties to the university, with both Hubert Neumann and his brother Arthur attending Penn in the 1950s, fostering a legacy of cultural engagement that aligns seamlessly with the mission of the Arthur Ross Gallery. Featuring a dynamic range of works by iconic artists, the exhibition highlights the collection’s contributions to shaping the trajectory of modern and contemporary art after the mid-20th century.
The Neumann Family Collection traces its origins to the late 1940s, when Morton G. Neumann and his wife Rose, first-generation Hungarian Jewish Chicagoans, began collecting art during a postwar business trip to Paris. Having achieved success with their cosmetics Valmor, which marketed cosmetics and personal care products to African American and immigrant communities through striking label designs by Black artists like Charles C. Dawson, the Neumanns’ aesthetic sensibilities were honed by their business. Inspired by the avant-garde works in Parisian galleries, they returned home with pieces by Jean Dubuffet, Pablo Picasso, and Joan Miró, among others, embracing modernist innovation over convention. Morton’s keen interest in the new, combined with the family’s openness to artistic experimentation, set the foundation for a collection that spanned movements and generations. During a 30-year friendship with Picasso, the Neumanns collected over 300 works by the artist, including paintings, sculpture, and numerous works on paper, making them his favorite American collectors.
This passion for contemporary art and the artists who made it, extended to their sons, Hubert and Arthur, who traveled with their parents and later contributed to expanding the collection. By the 1960s, Hubert, living in New York City, introduced his father to American Pop Art, adding works by Andy Warhol, Claes Oldenburg, and Roy Lichtenstein. Later decades brought Photorealism and the graffti and street art movements of the 1980s, including acquisitions of pieces by Jean-Michel Basquiat and Keith Haring. Today, the Neumann Family Collection stands as a testament to a multi-generational commitment to artistic vision, celebrating boundary-pushing creativity and maintaining its legacy as a profoundly personal and idiosyncratic assemblage of modern and contemporary art.
Beyond its artistic impact, After Modernism reintroduces the Arthur Ross Gallery to the public as a vibrant destination for world-class exhibitions. Since its founding in 1983 through the generosity of philanthropist Arthur Ross, the gallery has served as a hub for cultural and intellectual exchange at Penn. The recent renovations honor this legacy while creating a modern, versatile space for engaging with art in new and exciting ways.

Films
28 Rough Magic: Exit Shakespeare; a desperate Shakespeare attempts to come to terms with the loss of his powers and the process of aging; features conversation with director Andy Wolk; 7 p.m.; Zoom webinar; register: https://tinyurl.com/wolk-screening-jan-28 (Cinema & Media Studies).
Exhibits
Now
Vanitas: The S.ll Life Photographs of Audrey Flack; collection of works by an American visual artist who worked in a variety of mediums and was considered a pioneer in the genre of Photorealism, rendering fastidious still-life paintings based on the color photographs she took; 5th floor alcove, Van Pelt Library. Through May 19.
“My Soul is Anchored in the Lord”: A Story of Marian Anderson and Florence Price; view correspondence from longtime collaborators and friends, world-renowned contralto Marian Anderson and symphonic composer Florence Price, who had the shared experience of developing their careers in music while facing racial and gender discrimination; Ormandy Music Gallery, Van Pelt Library. Through December 15.
Fitness & Learning
24 Summer Humanities Internship Program (SHIP) Information Session; learn about a 10-week funded program in which students intern in arts, cultural, or historic organizations throughout Philadelphia; 3 p.m.; room 102, 3539 Locust Walk (Center for Undergraduate Research & Fellowships).
26 Sunday Reset with Craig; a herbal tea-making workshop where you’ll explore the art of blending herbs, learn about the properties of each ingredient, and create your own personalized tea blend, followed by a grounding yoga meditation; 2 p.m.; ICA; register: https://tinyurl.com/ica-reset-jan-26 (Institute of Contemporary Art).
28 Penn Undergraduate Research Mentoring Program (PURM) Info Session; learn about a program that allows students to spend a summer conducting cutting-edge research under the guidance of a standing Penn faculty member; 1:30 p.m.; first floor, 3539 Locust Walk (Center for Undergraduate Research & Fellowships).
Penn Libraries
Info and to register: https://www.library.upenn.edu/events.
22 An Intro to Web Scraping; learn how to extract data from websites and build a functioning web scraper program from start to finish; 1 p.m.; Research Data and Digital Scholarship Exchange, Van Pelt Library.
23 Introduction to Bookbinding: Saddle Stitch, Accordions and Single-Page Books; explore the fundamentals of hand bookbinding, including basic sewing and paper-folding skills, vocabulary, and the use of bookbinding tools; noon; Common Press, Fisher Fine Arts Library.
28 An Introduction to LaTeX and Overleaf; learn the basics of a program that will help you format equations, make a sweet-looking resume, or write a thesis or dissertation; noon; Research Data and Digital Scholarship Exchange, Van Pelt Library.
Readings & Signings
23 Mise-en-Scène: The Lives and Afterlives of Urban Landscapes; Chris Reed, Harvard University; Mike Belleme, photographer; 6:30 p.m.; Upper Gallery, Meyerson Hall (Landscape Architecutre, McHarg Center).
Talks
22 Towards Improving the Reliability of AI: Perspectives from Uncertainty Quantification and Fairness; Edgar Dobriban, statistics & data science; noon; room 414, Amy Gutmann Hall, and Zoom webinar; join: https://upenn.zoom.us/j/97670810812 (SEAS ASSET Center).
Who Gets to be an “Artist” in the Seventh Art? Karen Fang, University of Houston; noon; room 330, Fisher-Bennett Hall (Cinema & Media Studies).
Unlocking New Therapeutic Strategies by Reconstructing Cell Signaling Networks from the Ground Up; Mohamad Abedi, University of Washington, Seattle; Mohamad Abedi, Jane Coffin Childs Fund; 3:30 p.m.; Wu & Chen Auditorium, Levine Hall (Chemical & Biomolecular Engineering).
23 A Changing Grid Powered by the New Generations of Power Conversion, Control, and Energy Management; Adel Nasiri, University of South Carolina; 11 a.m.; room 225, Towne Building (Electrical & Systems Engineering).
Growing Up in Gang Territory: Evidence from a Large Urban School District; noon; Jesse Bruhn, noon; room 403, McNeil Building (Criminology).
Preservation Challenges: Interpretation and Replication of Historic Paint Finishes; Dorothy Krotzer, Building Conservation Associates; noon; Plaza Gallery, Meyerson Hall; register: https://tinyurl.com/krotzer-talk-jan-23 (Historic Preservation).
Women Wellness Influencers and Illiberal Religions; Ayala Fader, Fordham University; noon; Zoom webinar; register: https://tinyurl.com/fader-talk-jan-23 (Katz Center for Advanced Judaic Studies).
The Neurobiology of Mistakes; Becket Ebitz, Université de Montréal; 3:30 p.m.; Berger Auditorium, Skirkanich Hall, and Zoom webinar; register: https://upenn.zoom.us/j/92192304656 (Bioengineering).
Novel Insights into the Pathogenesis of Pleural Fibrosis; Torry Tucker, University of Texas at Tyler; 4 p.m.; room 11-146, Smilow Center (Penn-CHOP Lung Biology Institute).
27 Expanding Our Vision of Glasses: Physical Vapor Deposition Prepares Ultrastable and Anisotropic Materials; Mark Ediger, University of Wisconsin–Madison; 10:30 a.m.; Glandt Forum, Singh Center for Nanotechnology (LRSM).
Contribution of Gut Microbiota Towards Malaria in African Children: New Points of Intervention? Nathan Schmidt, Indiana University School of Medicine; noon; room 132, Hill Pavilion, and Zoom webinar; join: https://upenn.zoom.us/j/91485597704 (Penn Vet).
Measuring and Modeling the Impact of Partisanship Differences in Health Behaviors on COVID-19 Disease Spread; Audrey Dorélien, University of Washington; noon; room 403, McNeil Building (Population Studies Center).
Henri Bergson’s Turing Test for Humans; Carolyn Biltoft, Geneva Graduate Institute; 12:15 p.m.; room 300, Annenberg School; register: https://tinyurl.com/biltoft-talk-jan-27 (Center on Digital Culture & Society).
Designing Brighter Fluorophores for Advanced Bioimaging; Luke Lavis, Howard Hughes Medical Institute; 3 p.m.; Austrian Auditorium, CRB (Pennsylvania Muscle Institute).
28 Robots That Evolve on Demand; Rebecca Kramer-Bottiglio, Yale University; 10:15 a.m.; Wu & Chen Auditorium, Levine Hall (Mechanical Engineering & Applied Mechanics).
Asian American Across the Disciplines; Elise Dudley, Penn Dining; noon; room 337, Cohen Hall (Asian American Studies).
Living Deliberately Through Existential Despair; Justin McDaniel, religious studies; noon; Café 58, Irvine Auditorium (Knowledge By the Slice).
What Does Diversity Mean in Biomedicine? Catherine Lee, Rutgers University; noon; Zoom webinar; join: https://tinyurl.com/lee-talk-jan-28 (Medical Ethics & Health Policy).
AI and Machine Learning in Law Libraries; Sarah Ryan, University of North Texas; Cas Laskowski, University of Arizona; 3 p.m.; online webinar; join; https://tinyurl.com/ryan-talk-jan-28 (Carey Law School Biddle Speaker Series).
30 Higher Education and the State: How Politics are Reshaping America’s Great Universities; Irene Mulvey, American Association of University Professors; Michael Roth, Wesleyan University; John Sexton, New York University; 4 p.m.; Kleinman Energy Forum, Fisher Fine Arts Library, and Zoom webinar; register: https://tinyurl.com/senate-talk-jan-30 (Faculty Senate).
Biology
Info: https://www.bio.upenn.edu/events.
23 Generative Neural Network Methods for Evolutionary Inference; Sara Mathieson, Haverford College; noon; room 109, Leidy Lab, and Zoom webinar.
28 Integrative Models of 3D Nuclear DNA Organization; Anupama Jha, University of Washington; noon; room 116, Fagin Hall, and Zoom webinar.
Chemistry
In-person events at Carolyn Hoff Lynch Lecture Hall, Chemistry 1973 Building. Info: https://www.chem.upenn.edu/events.
22 Phase Separation and Emergent Properties of Condensates; Tanja Mittag, St. Jude Children's Research Hospital; noon.
Economics
In-person events. Info: https://economics.sas.upenn.edu/events.
22 Endogenous Interference in Randomized Experiments; Mengsi Gao, University of California, Berkeley; 4 p.m.; room 101, PCPSE.
23 Synthetic IV Estimation in Panels; Jaume Vives-i-Bastida, Massachusetts Institute of Technology; 4 p.m.; room 100, PCPSE.
24 Identification of Long-Term Treatment Effects via Temporal Links, Observational, and Experimental Data; Filip Obradovic, Northwestern University; 4 p.m.; room 200, PCPSE.
27 Inference with Many Weak Instruments and Heterogeneity; Luther Yap, Princeton University; 4 p.m.; room 101, PCPSE.
28 Nonparametric Network Bootstrap; Kamila Nowakowicz, London School of Economics; 4 p.m.; room 100, PCPSE.
Physics & Astronomy
Info: https://www.physics.upenn.edu/events/.
22 Energetic Optimization During Cell Division; Michael Murrell, Yale University; 3:30 p.m.; room A8, DRL.
27 CMB Limits on Decaying Dark Matter: Going Beyond the Ionization Threshold; Wenzer Qin, New York University; 3:30 p.m.; room 3W2, DRL.
Of the Surface of Things: Ice, Drops, Bubbles, Singularities; Saurabh Nath, Massachusetts Institute of Technology; 3:30 p.m.; room TBA, DRL.
This is an update to the January AT PENN calendar. To submit events for an upcoming AT PENN calendar or weekly update, email almanac@upenn.edu.